Stephen Moss concluded, in his July 2014 preview of IWM London, the following:
One day, some future Big Think really will have to consign the Imperial War Museum to history. There will come a point where the first world war ceases to look like the start of everything and becomes part of a continuum. How much longer can the war on terror and the struggles of the present century be treated as addenda to the great wars of the first half of the 20th century? Something will have to give. But, for the moment, we should celebrate the museum’s reopening, and the British way of embracing difference – and diffidence. We may be unduly keen on going to war, but at least we haven’t built a monument to our martial spirit. Which other country, after all, would have housed its military museum in a former asylum? War and the madness of war.
I’m not sure that I agree. Regarding the name of the Museum, that is very much secondary to the content. The Museum does not glorify all war but, particularly, in its omissions, there is often a tacit approval of the militarism of Britain and its allies. This is partly achieved through overlooking the great suffering and deaths endured by resistors of British imperialism, be it in Kenya or modern day Iraq. Notably, the Museum’s ongoing Afghanistan exhibitions, ‘War Story’, continues to overlook the voices of Afghani victims, preferring British voices.
In its credit, the Museum’s art displays, ‘Truth and Memory’ and ‘IWM Contemporary’ have opened some space for victims’ perspectives. The Museums’ large collections of paintings capture the brutality of the dead and maimed soldiers of WW1. Meanwhile, Mark Neville’s video footage, recently on display, captured ordinary Afghani people at the market in the shadow of a passing military vehicle. In the new main atrium of the Museum, lie the remains of a bombed car from Baghdad, and a Reuters press vehicle that came under attack by Israeli forces in the Occupied Territories. But, still we wait to be allowed to hear and see directly the ordinary victims.
Read Stephen Moss’ full article, published in The Guardian on 10th July 2014, here.